Amplified Voices: Zines, Theatre, and Open Pedagogy
Presentation Type
Presentation
Start Date
7-4-2026 3:30 PM
End Date
7-4-2026 3:50 PM
Description
This interactive presentation highlights a collaborative open pedagogy project implemented in an undergraduate vocal theatre course. The scaffolded assignment guided students through research practices and source evaluation, culminating in the creation of student-authored zines focused on vocal warmups. Students explored the history of zines as small, often hand-designed publications rooted in self-expression, community knowledge-sharing, and alternative publishing, values closely aligned with open education practices.
Rather than producing a traditional research paper, students synthesized their findings into creative zines that center voice both pedagogically and literally. Throughout the project, students engaged in discussions about open licensing, authorship, and consent, making informed decisions about how their work would be shared and reused. The resulting zines are published as chapters in an openly licensed textbook designed to grow each semester, creating a living resource shaped by successive cohorts. Physical copies are also displayed in the campus library, extending student work into a public, participatory space and emphasizing the performative dimensions of theatre.
This presentation examines the collaborative design process between librarians and faculty and offers strategies for integrating open pedagogy into performance-based courses. Attendees will leave with practical approaches amplifying student voices and creativity.
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.
Amplified Voices: Zines, Theatre, and Open Pedagogy
This interactive presentation highlights a collaborative open pedagogy project implemented in an undergraduate vocal theatre course. The scaffolded assignment guided students through research practices and source evaluation, culminating in the creation of student-authored zines focused on vocal warmups. Students explored the history of zines as small, often hand-designed publications rooted in self-expression, community knowledge-sharing, and alternative publishing, values closely aligned with open education practices.
Rather than producing a traditional research paper, students synthesized their findings into creative zines that center voice both pedagogically and literally. Throughout the project, students engaged in discussions about open licensing, authorship, and consent, making informed decisions about how their work would be shared and reused. The resulting zines are published as chapters in an openly licensed textbook designed to grow each semester, creating a living resource shaped by successive cohorts. Physical copies are also displayed in the campus library, extending student work into a public, participatory space and emphasizing the performative dimensions of theatre.
This presentation examines the collaborative design process between librarians and faculty and offers strategies for integrating open pedagogy into performance-based courses. Attendees will leave with practical approaches amplifying student voices and creativity.