Date of Submission
Spring 7-23-2025
Degree Type
Dissertation/Thesis
Degree Name
Bachelor of Architecture
Department
Architecture
Committee Chair/First Advisor
Peter Pittman
Secondary Advisor
Ehsan Sheikholharam Mashhadi
Abstract
Niger’s cultural identity is shaped by a rich mosaic of ethnic groups, including the Hausa, Zarma-Songhai, Tuareg, and Fulani, each with distinct traditions, building practices, and relationships to the land. For centuries, these communities lived according to their own social and spatial systems, rooted in environment-specific knowledge and craftsmanship. This balance was disrupted during the French colonial period, which began in the late 19th century and lasted until Niger’s independence in 1960. Colonial administration redrew territorial boundaries, centralized authority, and introduced foreign materials, aesthetics, and construction standards, redefining how people built and interacted with their environments. While Niger now appears as a unified state, its architecture still reflects a complex tension between tradition and Western modernity.
A sustainable architectural future in Niger needs to recognize this very complexity and thus engage with its mixed heritage. As Kenneth Frampton suggests, vernacular architecture serves as a key source of inspiration and forms the foundation of critical regionalism. To design for the future, one needs to learn from the cultural, material, and historical resources, including architectural practices. One of the most promising and well-documented typology to explore the vernacular roots of Niger is its Traditional housing built with local materials and crafted by the hands of the inhabitants, offered practical, climate-adapted, and culturally resonant solutions. These homes were not commodities but living expressions of identity, shaped by and for the people who inhabited them. By embracing traditional construction as a source of inspiration, we can develop a new architectural language rooted in identity, climate, and community self-reliance.
This thesis proposes designing a school based on vernacular principles as a way to shape a more rooted, resilient future. Schools are not just buildings—they are vessels of possibility, spaces where future generations are formed. In a country where access to quality education is limited, especially in rural areas, the school is the most powerful typology for social transformation. By drawing from indigenous architecture to build learning spaces, this thesis celebrates cultural knowledge while creating environments that empower children, foster community, and inspire a future that is both modern and deeply grounded in Nigerien identity.