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What is visual poetry? Is it categorized as literature or visual art? How does one interpret such a work? In this essay, I explore these fundamental questions through a case study of Italian poet, Adriano Spatola and his visual poetry, Zeroglifici. Similar to his visual poetry, Spatola himself tends to escape explicit classifications. Although he was a member of Group 63, in this essay I pose the question of whether Spatola and his works can truly be considered part of the neoavanguardia.